Stern launched his publishing career with Mad Libs, books whose pages offer brief stories with key words left blank.
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Stern, who worked on 23 TV series, created "I'm Dickens … He's Fenster," "Run Buddy Run," "He & She" and "McMillan & Wife," and he co-created "The Governor & J.J." and "Partners in Crime." "He'd think of something that I thought was really silly but it always worked. "Whenever I got stuck in the ridiculous plots and the foolish antics of the characters, I'd walk down the hall of our office and say to him, 'I'm stuck,'" said Henry. He then enters a phone booth, dials a number and drops out of sight.
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Walking down a long corridor, he passes through a series of automatically opening and closing doors. Henry, who created "Get Smart" with Mel Brooks, told The Times on Wednesday that Stern "had a great deal to do with the making of the pilot, and he invented what I have always thought and said was the best opening and closing pieces that define the show and that people always remember." In the show's opening, Don Adams' secret agent, Maxwell Smart, is seen driving up to a building that houses the intelligence agency C.O.N.T.R.O.L.
Stern won an Emmy in 1957 as part of the writing team of "The Phil Silvers Show." A second Emmy for writing came in 1967 when he and Buck Henry won for an episode of "Get Smart," on which Stern also was the original executive producer. He continued as a writer on the classic 1955-56 series "The Honeymooners," including co-writing one of the series' most popular episodes, "The $99,000 Answer." Stern had written for radio and films before he moved into television and became a writer for the Honeymooners sketches on "The Jackie Gleason Show" in 1953. Stern, a founding partner of the Price Stern Sloan publishing company, died Tuesday at Cedars-Sinai Medical Center in Los Angeles after a 15-month illness, said his daughter-in-law, Laura Stern. When he's ready to do something, he goes and locks himself in a room, and doesn't have any phones, doesn't have anything, and just writes.Leonard Stern, an Emmy Award-winning writer, producer and director whose career in television spanned "The Honeymooners," "Get Smart" and "McMillan & Wife" and whose additional career in publishing included co-creating the classic Mad Libs word game books, has died. So it's quite doable to say, 'All right, I'm in this period of time and now I'm writing,' and lock that door and say, 'Don't bother me.' When I worked with Coppola, I know he writes that way too. "Obviously you got to go back and clean it up and do that kind of stuff, but the major part of it, the stories and what needs to come out just comes out," she added. I mean, I'll sit for a whole weekend and just not leave, and just kept writing and writing until I get it all out." I think Nora Ephron wrote that way, My way is, I have an idea, and it's in my soul, and then it molds in my head, and it molds in my head, and then it's finally screaming to come out. Then my writing - I don't know how you write, but I know that there's the theory that everybody sits down every day and writes three pages, at least. "I have this much time for this and this much time for that. "I'm extremely organized and I definitely have my.in a good way, my compartments," Captor said. For her, though, she told us that the writing process she has helps a lot. That isn't the case for Captor, and it sounds like that could be a huge headache in terms of timing.
It's not uncommon for writer-producers who work in film to be distracted by doing primarily one thing or the other, or by producing only their own scripts.
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